We`re excited to announce the exhibition launch of ๐๐ ๐ฎ๐ค๐ช ๐๐ค๐ฃโ๐ฉ ๐๐๐๐๐ฉ โฆ ๐ฎ๐ค๐ช ๐ก๐ค๐จ๐: ๐ฅ๐ค๐ก๐๐ฉ๐๐๐จ, ๐ฅ๐ค๐จ๐ฉ๐๐ง๐จ ๐๐ฃ๐ ๐๐ผ๐.
Join us at FUMA from 5pm, Thursday, 16 May, to celebrate. Curators Catherine Speck and Jude Adams present a floortalk at 5pm, followed by opening remarks from Academy Award-nominated director Scott Hicks at 6pm.
Artists: Robin Best, Robert Boynes, Jim Cane, Pamela Harris, Andrew Hill, Ann Newmarch, Mandy Martin, Christine McCarthy, Peter Mumford, Progressive Printers Alliance
๐๐ ๐ฎ๐ค๐ช ๐๐ค๐ฃโ๐ฉ ๐๐๐๐๐ฉ โฆ ๐ฎ๐ค๐ช ๐ก๐ค๐จ๐ revisits the political volatility, student activism and industrial unrest of the 1970s. Featuring the prints and posters of the Progressive Art Movement (PAM), a small, dedicated and hard-hitting multi-arts organisation active in Tarntanya/Adelaide 1974โ78. See the exhibition link in our bio for more information.
#art #artexhibition #collection #museumexhibition #FlindersUniversity ##SAhistory #studentactivism #ProgressiveArtMovement #sahistorymonth
image: Mandy Martin, Adelaide railway station 2, 1973, screenprint, ink on paper, 50.0 x 73.7 cm (image) 55.9 x 75.9 cm (sheet), Ann Newmarch Collection, ยฉ the Estate of the artist
We`re excited to announce the exhibition launch of ๐๐ ๐ฎ๐ค๐ช ๐๐ค๐ฃโ๐ฉ ๐๐๐๐๐ฉ โฆ ๐ฎ๐ค๐ช ๐ก๐ค๐จ๐: ๐ฅ๐ค๐ก๐๐ฉ๐๐๐จ, ๐ฅ๐ค๐จ๐ฉ๐๐ง๐จ ๐๐ฃ๐ ๐๐ผ๐.
Join us at FUMA from 5pm, Thursday, 16 May, to celebrate. Curators Catherine Speck and Jude Adams present a floortalk at 5pm, followed by opening remarks from Academy Award-nominated director Scott Hicks at 6pm.
Artists: Robin Best, Robert Boynes, Jim Cane, Pamela Harris, Andrew Hill, Ann Newmarch, Mandy Martin, Christine McCarthy, Peter Mumford, Progressive Printers Alliance
๐๐ ๐ฎ๐ค๐ช ๐๐ค๐ฃโ๐ฉ ๐๐๐๐๐ฉ โฆ ๐ฎ๐ค๐ช ๐ก๐ค๐จ๐ revisits the political volatility, student activism and industrial unrest of the 1970s. Featuring the prints and posters of the Progressive Art Movement (PAM), a small, dedicated and hard-hitting multi-arts organisation active in Tarntanya/Adelaide 1974โ78. See the exhibition link in our bio for more information.
#art #artexhibition #collection #museumexhibition #FlindersUniversity ##SAhistory #studentactivism #ProgressiveArtMovement #sahistorymonth
image: Mandy Martin, Adelaide railway station 2, 1973, screenprint, ink on paper, 50.0 x 73.7 cm (image) 55.9 x 75.9 cm (sheet), Ann Newmarch Collection, ยฉ the Estate of the artist
Itโs the final week to visit โBetween the Details: Video Art from the ACMI Collectionโ at FUMA. The exhibition concludes 5pm, Friday 19 April.
#kaylenewhiskey #jasonphu #deborahkelly #zannybegg #davidrosetzky
@acmionline
Itโs the final week to visit โBetween the Details: Video Art from the ACMI Collectionโ at FUMA. The exhibition concludes 5pm, Friday 19 April.
#kaylenewhiskey #jasonphu #deborahkelly #zannybegg #davidrosetzky
@acmionline
Work with us! FUMA is now hiring for a Curator to join our dynamic team. For more details about the full-time position and to apply, follow the link in our bio.
#werehiring #curator
Work with us! FUMA is now hiring for a Curator to join our dynamic team. For more details about the full-time position and to apply, follow the link in our bio.
#werehiring #curator
Jason Phu`s moving image work ๐๐ฏ๐ข๐ญ๐ฆ๐ค๐ต๐ด ๐ฐ๐ง ๐๐ถ๐ฏ๐จ ๐๐ฉ๐ถ, ๐๐ฐ๐ฐ๐ฌ 1, ๐๐ฉ๐ฆ 69 ๐๐ช๐ข๐ญ๐ฐ๐จ๐ถ๐ฆ๐ด ๐ฃ๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ข๐ฎ๐ฑ ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐๐ฉ๐ข๐ฅ๐ฐ๐ธ presents us with a guide for surviving contemporary life through the lens of martial arts films.
"Aside from bareknuckle action and breakneck stunts, martial arts and wuxia films are packed with wisdom and life lessons. Artist Jason Phu has reclaimed these wise sayings and remixed them into a moving image philosophy for surviving contemporary life. Divided into chapters featuring insights and meditations from different movies, TV shows and videogames, Analects of Kung Phu: Book 1, The 69 Dialogues between the Lamp and the Shadow offers a guide to ourselves and society taught by action stars and movie heroes."
This work is on display at FUMA until 19 April in ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ
An ACMI touring exhibition
@acmionline
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
Jason Phu`s moving image work ๐๐ฏ๐ข๐ญ๐ฆ๐ค๐ต๐ด ๐ฐ๐ง ๐๐ถ๐ฏ๐จ ๐๐ฉ๐ถ, ๐๐ฐ๐ฐ๐ฌ 1, ๐๐ฉ๐ฆ 69 ๐๐ช๐ข๐ญ๐ฐ๐จ๐ถ๐ฆ๐ด ๐ฃ๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ข๐ฎ๐ฑ ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐๐ฉ๐ข๐ฅ๐ฐ๐ธ presents us with a guide for surviving contemporary life through the lens of martial arts films.
"Aside from bareknuckle action and breakneck stunts, martial arts and wuxia films are packed with wisdom and life lessons. Artist Jason Phu has reclaimed these wise sayings and remixed them into a moving image philosophy for surviving contemporary life. Divided into chapters featuring insights and meditations from different movies, TV shows and videogames, Analects of Kung Phu: Book 1, The 69 Dialogues between the Lamp and the Shadow offers a guide to ourselves and society taught by action stars and movie heroes."
This work is on display at FUMA until 19 April in ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ
An ACMI touring exhibition
@acmionline
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
Only two weeks left to see the ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด exhibition in Tarntanya/Adelaide at FUMA before it continues touring Australia.
Featuring five moving image works by acclaimed artists Kaylene Whiskey, Jason Phu, Zanny Begg, Deborah Kelly and David Rosetzky, the selection from ACMIโs collection offers a diverse array of themes, video editing styles, and techniques.
Between the Details: Video Art from the ACMI Collection concludes 5pm Friday 19 April 2024.
Follow the exhibitions #linkinbio to find out more.
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
@acmionline
Only two weeks left to see the ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด exhibition in Tarntanya/Adelaide at FUMA before it continues touring Australia.
Featuring five moving image works by acclaimed artists Kaylene Whiskey, Jason Phu, Zanny Begg, Deborah Kelly and David Rosetzky, the selection from ACMIโs collection offers a diverse array of themes, video editing styles, and techniques.
Between the Details: Video Art from the ACMI Collection concludes 5pm Friday 19 April 2024.
Follow the exhibitions #linkinbio to find out more.
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
@acmionline
Yankunytjatjara artist Kaylene Whiskey envisions a world where pop culture collides with traditional Anangu culture. Her work "Ngura Pukulpa โ Happy Place" is now on display at FUMA as part of the ACMI touring exhibition, "Between the Details: Video Art from the ACMI Collection," until April 19th.
Plan your visit to FUMA via `contact us` link in bio.
@acmionline
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
images: installation of Kaylene Whiskey`s video work "Ngura Pukulpa โ Happy Place" in "Between the Details: Video Art from the ACMI Collection" at FUMA, March 2024
Yankunytjatjara artist Kaylene Whiskey envisions a world where pop culture collides with traditional Anangu culture. Her work "Ngura Pukulpa โ Happy Place" is now on display at FUMA as part of the ACMI touring exhibition, "Between the Details: Video Art from the ACMI Collection," until April 19th.
Plan your visit to FUMA via `contact us` link in bio.
@acmionline
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
images: installation of Kaylene Whiskey`s video work "Ngura Pukulpa โ Happy Place" in "Between the Details: Video Art from the ACMI Collection" at FUMA, March 2024
Zanny Begg`s ๐๐ฉ๐ฆ ๐๐ฆ๐ฆ๐ฉ๐ช๐ท๐ฆ is showing now at FUMA in the ACMI touring exhibition ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ until 19 April.
๐๐ฉ๐ฆ ๐๐ฆ๐ฆ๐ฉ๐ช๐ท๐ฆ is a non-linear experimental documentary exploring the unsolved murder of Sydney anti-development campaigner Juanita Nielsen.
An Artbank + ACMI Commission, the video examines themes of gentrification, corruption, sex-work, feminism and non-conformist lifestyles.
Juanita Nielsen was a newspaper publisher, style-icon, heiress and activist. She campaigned against the violent eviction of tenants on Victoria Street Kings Cross, who were being pushed out to make way for apartment blocks. Juanita disappeared on the 4th of July 1975 after a business appointment at the Carousel Cabaret. Her body has never been found and her murderers never charged.
The Beehive is randomly assembled from a reservoir of scripted fictions, documentary interviews and choreographed sequences. The software, created by programmer Andy Nicholson, randomly selects a different combination of footage with each viewing, offering different glimpses and interpretations of this infamous true crime.
The Beehive`s title references Juanitaโs famous hairdo but also serves as an archetypal metaphor to describe human cities. In classical times the beehive was seen as a hierarchical and densely industrious hub; in pre-Christian symbolism, the beehive was a dark cooperative womb guided by a powerful queen. This clash between utilitarian and feminine interpretations of our cities provides a poetic tension that flows through the project.
@acmionline
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
Zanny Begg`s ๐๐ฉ๐ฆ ๐๐ฆ๐ฆ๐ฉ๐ช๐ท๐ฆ is showing now at FUMA in the ACMI touring exhibition ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ until 19 April.
๐๐ฉ๐ฆ ๐๐ฆ๐ฆ๐ฉ๐ช๐ท๐ฆ is a non-linear experimental documentary exploring the unsolved murder of Sydney anti-development campaigner Juanita Nielsen.
An Artbank + ACMI Commission, the video examines themes of gentrification, corruption, sex-work, feminism and non-conformist lifestyles.
Juanita Nielsen was a newspaper publisher, style-icon, heiress and activist. She campaigned against the violent eviction of tenants on Victoria Street Kings Cross, who were being pushed out to make way for apartment blocks. Juanita disappeared on the 4th of July 1975 after a business appointment at the Carousel Cabaret. Her body has never been found and her murderers never charged.
The Beehive is randomly assembled from a reservoir of scripted fictions, documentary interviews and choreographed sequences. The software, created by programmer Andy Nicholson, randomly selects a different combination of footage with each viewing, offering different glimpses and interpretations of this infamous true crime.
The Beehive`s title references Juanitaโs famous hairdo but also serves as an archetypal metaphor to describe human cities. In classical times the beehive was seen as a hierarchical and densely industrious hub; in pre-Christian symbolism, the beehive was a dark cooperative womb guided by a powerful queen. This clash between utilitarian and feminine interpretations of our cities provides a poetic tension that flows through the project.
@acmionline
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
A warm welcome to Suzanne Close who has joined the FUMA team to curate the Guildhouse Collections Project โ The Disquiet ยญโ opening late July 2024.
Suzanne is an arts educator and independent curator who has brought several exhibitions featuring contemporary South Australian artists to fruition. Suzanne holds a Master of Art in Curatorial and Museum Studies and has degrees in Art History, Visual Arts and Education. FUMA is thrilled to be working with her.
@guildhouse_au
@suzmclose
#flindersuniversity #theguildhousecollectionsproject #universityartmuseumsaustralia
A warm welcome to Suzanne Close who has joined the FUMA team to curate the Guildhouse Collections Project โ The Disquiet ยญโ opening late July 2024.
Suzanne is an arts educator and independent curator who has brought several exhibitions featuring contemporary South Australian artists to fruition. Suzanne holds a Master of Art in Curatorial and Museum Studies and has degrees in Art History, Visual Arts and Education. FUMA is thrilled to be working with her.
@guildhouse_au
@suzmclose
#flindersuniversity #theguildhousecollectionsproject #universityartmuseumsaustralia
FUMAโs Australian Political Prints and Posters Collection serves as the foundation for two upcoming exhibitions interlinked by the overarching theme of art and activism.
Currently deep in development, the first sheds light on the Progressive Art Movement (PAM), a multi-arts organisation active in Tarntanya/Adelaide from 1974 to 78. Inspired by the work of PAM artists/activists, the second exhibition โ enabled by our partnership with @guildhouse_au โ will feature newly commissioned work that speaks to socio-political issues of the 21st century.
Through these projects we aim to explore the evolving intersections of art and politics, catalysing conversations around the power of art to challenge norms and inspire change. Watch this space!
Visit the exhibitions page for more information: https://www.flinders.edu.au/museum-of-art/exhibitions
image: FUMA research visit with Suzanne Close and Bin Bai, featuring works from FUMA`s Australian Political Prints and Posters Collection, March 2024
FUMAโs Australian Political Prints and Posters Collection serves as the foundation for two upcoming exhibitions interlinked by the overarching theme of art and activism.
Currently deep in development, the first sheds light on the Progressive Art Movement (PAM), a multi-arts organisation active in Tarntanya/Adelaide from 1974 to 78. Inspired by the work of PAM artists/activists, the second exhibition โ enabled by our partnership with @guildhouse_au โ will feature newly commissioned work that speaks to socio-political issues of the 21st century.
Through these projects we aim to explore the evolving intersections of art and politics, catalysing conversations around the power of art to challenge norms and inspire change. Watch this space!
Visit the exhibitions page for more information: https://www.flinders.edu.au/museum-of-art/exhibitions
image: FUMA research visit with Suzanne Close and Bin Bai, featuring works from FUMA`s Australian Political Prints and Posters Collection, March 2024
A big thank you to ACMI Curator, Chelsey O`Brien, for visiting FUMA! ๐ฅ Flinders University screen students enjoyed delving into the exhibition ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ and gaining insight to Australian video art and screen culture.
๐ #ACMI #FUMA #ArtEducation #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
A big thank you to ACMI Curator, Chelsey O`Brien, for visiting FUMA! ๐ฅ Flinders University screen students enjoyed delving into the exhibition ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ and gaining insight to Australian video art and screen culture.
๐ #ACMI #FUMA #ArtEducation #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
โจ Chris Reid reviews ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ for The Barefoot Review.
"This well-curated exhibition is both thought-provoking and highly entertaining and is a must-see for anyone interested in video art and its artistic and political potential."
๐ ๐ฅ Read on for more:
https://www.thebarefootreview.com.au/.../2626-between-the...
ACMI
The Barefoot Review
โจ Chris Reid reviews ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ for The Barefoot Review.
"This well-curated exhibition is both thought-provoking and highly entertaining and is a must-see for anyone interested in video art and its artistic and political potential."
๐ ๐ฅ Read on for more:
https://www.thebarefootreview.com.au/.../2626-between-the...
ACMI
The Barefoot Review
๐FUMA is nestled south of Adelaideโs city centre on @flindersuniversity โs leafy Bedford Park campus ๐๐
Come with us through campus, along an accessible path, to see the current exhibition Between the Details: Video Art from the ACMI Collection ๐ฅ
#flindersuniversity
๐FUMA is nestled south of Adelaideโs city centre on @flindersuniversity โs leafy Bedford Park campus ๐๐
Come with us through campus, along an accessible path, to see the current exhibition Between the Details: Video Art from the ACMI Collection ๐ฅ
#flindersuniversity
๐๐ข๐ฑ๐ด (2014) by Australian artist David Rosetzky is now showing at FUMA in ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ.
๐๐ข๐ฑ๐ด embodies Rosetzkyโs ongoing exploration of personal identity and the relationship โ or โgapsโ โ between self and other through speech, movement and dance.
Rosetzkyโs collaborators on ๐๐ข๐ฑ๐ด include choreographer and performer Stephanie Lake, (who also choreographed How to Feel, 2011) co-writer Anna Zagala, and performers, Jessie Oshodi, Lee Serle, Rani Pramesti and Dimitri Baveas.
Drawing from material Rosetzky gathered conducting interviews with his cast, this new work is an oblique survey of the transition from rehearsal to performance, in both art and life.
The artistโs process involved in-depth workshopping of the material with the performers, who come from acting and dance disciplines. Lakeโs choreography, which integrates naturalistic and stylised movements, was also developed with input from the cast and Rosetzky during this rehearsal period.
Long time collaborator David Franzke provides the sound design.
image: installation of Between the Details: Video Art from the ACMI Collection at FUMA, 2024
@acmionline
@davidrosetzky
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
๐๐ข๐ฑ๐ด (2014) by Australian artist David Rosetzky is now showing at FUMA in ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ.
๐๐ข๐ฑ๐ด embodies Rosetzkyโs ongoing exploration of personal identity and the relationship โ or โgapsโ โ between self and other through speech, movement and dance.
Rosetzkyโs collaborators on ๐๐ข๐ฑ๐ด include choreographer and performer Stephanie Lake, (who also choreographed How to Feel, 2011) co-writer Anna Zagala, and performers, Jessie Oshodi, Lee Serle, Rani Pramesti and Dimitri Baveas.
Drawing from material Rosetzky gathered conducting interviews with his cast, this new work is an oblique survey of the transition from rehearsal to performance, in both art and life.
The artistโs process involved in-depth workshopping of the material with the performers, who come from acting and dance disciplines. Lakeโs choreography, which integrates naturalistic and stylised movements, was also developed with input from the cast and Rosetzky during this rehearsal period.
Long time collaborator David Franzke provides the sound design.
image: installation of Between the Details: Video Art from the ACMI Collection at FUMA, 2024
@acmionline
@davidrosetzky
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
๐ Celebrating International Womenโs Day with a highlight from FUMAโs Australian Political Prints and Poster Collection.
๐ฅIntroducing Mandy Martin (1952โ2022), an Adelaide-born artist, activist, and educator who, over the course of her thirty-year career, created poignant and powerful political prints as well as large scale paintings that seek to incite action.
From the early 1970s Martin was involved in feminist and political art movements and her practice highlighted industrial issues, politics and environmentalism.
๐ผ๏ธย Mandy Martinโs screenprint โYou Never had it so goodโ (1976), captures women engaging in manual labour, layered with text: [and even if they say, you never had it so good, that is still the slogan of those who have much more than you].
๐ As we embrace the UN theme of this yearโs International Womenโs Day, โCount Her In: Invest in Women. Accelerate Progress,โ letโs look to Mandy Martinโs early printmaking practice to consider the ongoing journey towards greater economic inclusion for women.
โฉ Stay tuned for FUMAโs upcoming exhibition, โIf you donโt fight... you lose: Politics, Posters and PAM,โ where Martinโs works and more will be on display, inviting us to reflect on the political volatility, student activism and industrial unrest of the 1970s in Tarntanya/Adelaide.
Artwork credit: Mandy Martin
You never had it so goodย ย 1976
screenprint, ink on paper
edition 4/25
Donated through the Australian Governmentโs Cultural Gifts Program by Amanda Martin
Collection of Flinders University Museum of Art 5055
ยฉ the Estate of the artist
#museumcollection #artmuseum #politicalprint #internationalwomensday #iwd2024 #MandyMartin #flindersuniversitymuseumofart #fuma #art #artcollection
๐ Celebrating International Womenโs Day with a highlight from FUMAโs Australian Political Prints and Poster Collection.
๐ฅIntroducing Mandy Martin (1952โ2022), an Adelaide-born artist, activist, and educator who, over the course of her thirty-year career, created poignant and powerful political prints as well as large scale paintings that seek to incite action.
From the early 1970s Martin was involved in feminist and political art movements and her practice highlighted industrial issues, politics and environmentalism.
๐ผ๏ธย Mandy Martinโs screenprint โYou Never had it so goodโ (1976), captures women engaging in manual labour, layered with text: [and even if they say, you never had it so good, that is still the slogan of those who have much more than you].
๐ As we embrace the UN theme of this yearโs International Womenโs Day, โCount Her In: Invest in Women. Accelerate Progress,โ letโs look to Mandy Martinโs early printmaking practice to consider the ongoing journey towards greater economic inclusion for women.
โฉ Stay tuned for FUMAโs upcoming exhibition, โIf you donโt fight... you lose: Politics, Posters and PAM,โ where Martinโs works and more will be on display, inviting us to reflect on the political volatility, student activism and industrial unrest of the 1970s in Tarntanya/Adelaide.
Artwork credit: Mandy Martin
You never had it so goodย ย 1976
screenprint, ink on paper
edition 4/25
Donated through the Australian Governmentโs Cultural Gifts Program by Amanda Martin
Collection of Flinders University Museum of Art 5055
ยฉ the Estate of the artist
#museumcollection #artmuseum #politicalprint #internationalwomensday #iwd2024 #MandyMartin #flindersuniversitymuseumofart #fuma #art #artcollection
Visit FUMA to experience the wonder of Deborah Kellyโs video art ๐๐ฉ๐ฆ ๐๐ฐ๐ฅ๐ด ๐ฐ๐ง ๐๐ช๐ฏ๐บ ๐๐ฉ๐ช๐ฏ๐จ๐ด (2019) featuring in ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ.
๐ ๐๐ฉ๐ฆ ๐๐ฐ๐ฅ๐ด ๐ฐ๐ง ๐๐ช๐ฏ๐บ ๐๐ฉ๐ช๐ฏ๐จ๐ด is a vast, microscopic Eden teeming with deities born from the pages of old magazines and encyclopedias, creating an exquisite collage of grotesque beauty and new mythologies. ๐ธ๏ธ ๐
๐ Combining the divine, mundane and profane, these celestial creations animate a kaleidoscopic symbology that explores extinction and the climate crisis, the scars of colonialism, and the political shift to the right around the world, while simultaneously revelling in the persistence of pleasure, desire and life. Created at โcollage campโ at Bundanon on beautiful Yuin Country, this collaborative work is a poetic and urgent warning. ๐
Deborah Kelly is a Sydney-based artist whose works have been shown around Australia, and in the Biennales of Singapore, Sydney, Thessaloniki, TarraWarra and Venice. Her projects across media are concerned with lineages of representation, politics and history in public exchange, and practices of collectivity on small and large scale, both fleeting and durational. Her newest works experiment with models of sustained creative collaboration between strangers. Kellyโs moving image artworks have been shown around the world, in galleries, cinemas and projected onto rock formations, buildings and clouds.
#BetweentheDetails #DeborahKelly #ACMI
@acmionline
Artwork: Deborah Kelly
Two-channel digital animation, colour, sound
ACMI Collection
Collage figures: Joanne Albany, Alana Ambados, Kate Andrews, Justin Ashworth, Kathryn Bird, Karen Golland, Amanda Holt, Deborah Kelly, Kath Lim, Lex Lindsay, Megan Rushton, Rie Tamaoke, Anna Tregloan
Visit FUMA to experience the wonder of Deborah Kellyโs video art ๐๐ฉ๐ฆ ๐๐ฐ๐ฅ๐ด ๐ฐ๐ง ๐๐ช๐ฏ๐บ ๐๐ฉ๐ช๐ฏ๐จ๐ด (2019) featuring in ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ.
๐ ๐๐ฉ๐ฆ ๐๐ฐ๐ฅ๐ด ๐ฐ๐ง ๐๐ช๐ฏ๐บ ๐๐ฉ๐ช๐ฏ๐จ๐ด is a vast, microscopic Eden teeming with deities born from the pages of old magazines and encyclopedias, creating an exquisite collage of grotesque beauty and new mythologies. ๐ธ๏ธ ๐
๐ Combining the divine, mundane and profane, these celestial creations animate a kaleidoscopic symbology that explores extinction and the climate crisis, the scars of colonialism, and the political shift to the right around the world, while simultaneously revelling in the persistence of pleasure, desire and life. Created at โcollage campโ at Bundanon on beautiful Yuin Country, this collaborative work is a poetic and urgent warning. ๐
Deborah Kelly is a Sydney-based artist whose works have been shown around Australia, and in the Biennales of Singapore, Sydney, Thessaloniki, TarraWarra and Venice. Her projects across media are concerned with lineages of representation, politics and history in public exchange, and practices of collectivity on small and large scale, both fleeting and durational. Her newest works experiment with models of sustained creative collaboration between strangers. Kellyโs moving image artworks have been shown around the world, in galleries, cinemas and projected onto rock formations, buildings and clouds.
#BetweentheDetails #DeborahKelly #ACMI
@acmionline
Artwork: Deborah Kelly
Two-channel digital animation, colour, sound
ACMI Collection
Collage figures: Joanne Albany, Alana Ambados, Kate Andrews, Justin Ashworth, Kathryn Bird, Karen Golland, Amanda Holt, Deborah Kelly, Kath Lim, Lex Lindsay, Megan Rushton, Rie Tamaoke, Anna Tregloan
๐จ Did you know? FUMA is custodian to 8000 artworks spanning the 15th to the 21st century!
Our collections are as diverse as they are extensive, featuring four major collections of contemporary Aboriginal and Torres Strait Islander art, European prints, Post-object and documentation art, and Australian political prints and posters. Smaller collections comprise colonial and 20th century Australian art; indigenous works from Papua New Guinea, North America and Africa; and Japanese Ukiyo-e woodblock prints.
๐ As term 1 commences, we`re thrilled to welcome new and returning students to campus! To introduce you to FUMA, we`re sharing some collection highlights, including our earliest work: The Nuremberg Chronicle, published in 1493. Explore the significance of this elaborate publication and more on our Take 5 page! (Link in bio)
#FUMA #ArtCollection #WelcomeBack #NurembergChronicle #UniversityArtMuseum #UniversityArtMuseumsAustralia #collectionhighlight #arthistory
Image: Michael Wolgemut
Germany, 1434 โ 1519
Wilhelm Pleydenwurff
Germany, c.1458 โ 1494
and workshop
`Bamberg (Bamberga)`
from Hartmann Schedel, Nuremberg Chronicle (Liber Chronicarum), fol. CLXXIIII verso - CLXXV recto
c.1490-93, published 12 July 1493 by Anton Koberger, Nuremberg, Germany
woodcut, letterpress, ink and watercolour on paper
Collection of Flinders University Museum of Art 37.002
๐จ Did you know? FUMA is custodian to 8000 artworks spanning the 15th to the 21st century!
Our collections are as diverse as they are extensive, featuring four major collections of contemporary Aboriginal and Torres Strait Islander art, European prints, Post-object and documentation art, and Australian political prints and posters. Smaller collections comprise colonial and 20th century Australian art; indigenous works from Papua New Guinea, North America and Africa; and Japanese Ukiyo-e woodblock prints.
๐ As term 1 commences, we`re thrilled to welcome new and returning students to campus! To introduce you to FUMA, we`re sharing some collection highlights, including our earliest work: The Nuremberg Chronicle, published in 1493. Explore the significance of this elaborate publication and more on our Take 5 page! (Link in bio)
#FUMA #ArtCollection #WelcomeBack #NurembergChronicle #UniversityArtMuseum #UniversityArtMuseumsAustralia #collectionhighlight #arthistory
Image: Michael Wolgemut
Germany, 1434 โ 1519
Wilhelm Pleydenwurff
Germany, c.1458 โ 1494
and workshop
`Bamberg (Bamberga)`
from Hartmann Schedel, Nuremberg Chronicle (Liber Chronicarum), fol. CLXXIIII verso - CLXXV recto
c.1490-93, published 12 July 1493 by Anton Koberger, Nuremberg, Germany
woodcut, letterpress, ink and watercolour on paper
Collection of Flinders University Museum of Art 37.002
Explore ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ at FUMA this Fringe Festival ๐ช Immerse yourself in captivating moving image works by acclaimed Australian artists: Kaylene Whiskey, Jason Phu, Deborah Kelly, Zanny Begg and David Rosetzky. ๐ฅ ๐๏ธ
โจ Now showing at FUMA until 19 April
Mon to Fri 10am โ 5pm
Thursdays until 7pm
FREE ENTRY
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #fringefestival #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
Image: Zanny Begg, The Beehive, 2018 (video still).
Photo: Philippa Bateman, featuring Koco Carey.
Explore ๐๐ฆ๐ต๐ธ๐ฆ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ญ๐ด: ๐๐ช๐ฅ๐ฆ๐ฐ ๐๐ณ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ฆ ๐๐๐๐ ๐๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ at FUMA this Fringe Festival ๐ช Immerse yourself in captivating moving image works by acclaimed Australian artists: Kaylene Whiskey, Jason Phu, Deborah Kelly, Zanny Begg and David Rosetzky. ๐ฅ ๐๏ธ
โจ Now showing at FUMA until 19 April
Mon to Fri 10am โ 5pm
Thursdays until 7pm
FREE ENTRY
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #fringefestival #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
Image: Zanny Begg, The Beehive, 2018 (video still).
Photo: Philippa Bateman, featuring Koco Carey.
โจThank you to all who joined to celebrate the exhibition launch of โBetween the Details: Video Art from the ACMI Collectionโ โจ๐ฅ๐
FUMA is thrilled to showcase five moving image artworks by acclaimed Australian artists:
โจKaylene Whiskey
๐ฅJason Phu
๐ชฒDeborah Kelly
๐Zanny Begg
๐ฏDavid Rosetzky
๐Special thanks to Dr Claire Henry, Senior Lecturer and Discipline Lead in Screen, College of Humanities, Arts & Social Sciences, Flinders University, for her insightful opening remarks๐
We look forward to welcoming you to the show!
@flindersuniversity
@acmionline
โจThank you to all who joined to celebrate the exhibition launch of โBetween the Details: Video Art from the ACMI Collectionโ โจ๐ฅ๐
FUMA is thrilled to showcase five moving image artworks by acclaimed Australian artists:
โจKaylene Whiskey
๐ฅJason Phu
๐ชฒDeborah Kelly
๐Zanny Begg
๐ฏDavid Rosetzky
๐Special thanks to Dr Claire Henry, Senior Lecturer and Discipline Lead in Screen, College of Humanities, Arts & Social Sciences, Flinders University, for her insightful opening remarks๐
We look forward to welcoming you to the show!
@flindersuniversity
@acmionline
๐ Itโs OโWeek at @flindersuniversity ๐
๐Come say hi to Anna and Fiona at the hub as they welcome new and returning students, or check out our new exhibition โBetween the Details: Video Art from the ACMI Collectionโ at FUMA! ๐ฅ๐ฅ #oweek #flindersuniversity
๐ Itโs OโWeek at @flindersuniversity ๐
๐Come say hi to Anna and Fiona at the hub as they welcome new and returning students, or check out our new exhibition โBetween the Details: Video Art from the ACMI Collectionโ at FUMA! ๐ฅ๐ฅ #oweek #flindersuniversity
Our first exhibition for 2024 opens Monday. โBetween the Details: Video Art from the ACMI Collectionโ showcases five moving image works by Australian artists: Kaylene Whiskey, Deborah Kelly, Jason Phu, Zanny Begg and David Rosetsky.
Join us for the exhibition launch:
2pm Wednesday 21 February.
Opening remarks by Dr Claire Henry, Senior Lecturer and Discipline Lead in Screen, College of Humanities, Arts & Social Sciences, Flinders University, followed by refreshments.
@acmionline
@universityartmuseumsaustralia
@adlfringe
@flindersuniversity
#acmi #betweenthedetails #art #exhibition #fringe2024
Our first exhibition for 2024 opens Monday. โBetween the Details: Video Art from the ACMI Collectionโ showcases five moving image works by Australian artists: Kaylene Whiskey, Deborah Kelly, Jason Phu, Zanny Begg and David Rosetsky.
Join us for the exhibition launch:
2pm Wednesday 21 February.
Opening remarks by Dr Claire Henry, Senior Lecturer and Discipline Lead in Screen, College of Humanities, Arts & Social Sciences, Flinders University, followed by refreshments.
@acmionline
@universityartmuseumsaustralia
@adlfringe
@flindersuniversity
#acmi #betweenthedetails #art #exhibition #fringe2024
๐ฅ โจExciting changes underway at FUMA gallery as we prepare for our next exhibition โBetween the Details: Video Art from the ACMI Collectionโโจ๐ฅ
Opening 19 Feb
Launch 2pm, Wednesday 21 Feb.
An ACMI touring exhibition
@acmionline
#bts #exhibition #acmi #flindersuniversity #videoart
๐ฅ โจExciting changes underway at FUMA gallery as we prepare for our next exhibition โBetween the Details: Video Art from the ACMI Collectionโโจ๐ฅ
Opening 19 Feb
Launch 2pm, Wednesday 21 Feb.
An ACMI touring exhibition
@acmionline
#bts #exhibition #acmi #flindersuniversity #videoart
Join us for the launch of ๐ฝ๐๐ฉ๐ฌ๐๐๐ฃ ๐ฉ๐๐ ๐ฟ๐๐ฉ๐๐๐ก๐จ: ๐๐๐๐๐ค ๐ผ๐ง๐ฉ ๐๐ง๐ค๐ข ๐ฉ๐๐ ๐ผ๐พ๐๐ ๐พ๐ค๐ก๐ก๐๐๐ฉ๐๐ค๐ฃ
2pm Wednesday 21 February 2024
Opening remarks by Dr Claire Henry, Senior Lecturer and Discipline Lead in Screen, College of Humanities, Arts & Social Sciences, Flinders University, followed by refreshments.
@acmionline
Image: Kaylene Whiskey, Ngura Pukulpa โ Happy Place, 2021, Courtesy Kaylene Whiskey and Iwantja Arts. Photo: Max Mackinnon.
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
Join us for the launch of ๐ฝ๐๐ฉ๐ฌ๐๐๐ฃ ๐ฉ๐๐ ๐ฟ๐๐ฉ๐๐๐ก๐จ: ๐๐๐๐๐ค ๐ผ๐ง๐ฉ ๐๐ง๐ค๐ข ๐ฉ๐๐ ๐ผ๐พ๐๐ ๐พ๐ค๐ก๐ก๐๐๐ฉ๐๐ค๐ฃ
2pm Wednesday 21 February 2024
Opening remarks by Dr Claire Henry, Senior Lecturer and Discipline Lead in Screen, College of Humanities, Arts & Social Sciences, Flinders University, followed by refreshments.
@acmionline
Image: Kaylene Whiskey, Ngura Pukulpa โ Happy Place, 2021, Courtesy Kaylene Whiskey and Iwantja Arts. Photo: Max Mackinnon.
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
FUMA bids farewell to esteemed colleague Nic Brown.
Since joining FUMA in 2009, Nic has left an indelible
mark on FUMA through her contributions over the past 15 years. From curating, writing and publishing to collections management and care, her input has been pivotal to the life of FUMA and our contributions to the nationโs cultural and intellectual life.
One of Nicโs most recent standout achievements was the award-winning exhibition โ and catalogue โ โBee-stung lips: Barbara Hanrahan, works on paper 1960-1991,โ which captivated audiences in Adelaide in 2021 before touring regional South Australia. Additionally, Nic has been a driving force behind The Collections Project, a dynamic collaboration with @guildhouse_au that has empowered South Australian artists to engage with FUMA collections, now in its 7th successful iteration.
In her tenure, Nic has also made significant strides in strengthening collection care, notably through her efforts in securing housing and conservation for the nationally significant Papunya Board collection and digitisation of the Post Object and Documentation archive.
FUMA will miss Nicโs longstanding dedication, insight and creativity, her highly tuned expertise and meticulous eye to detail.
We wish her all the very best as she embarks on a new chapter. โค๏ธ
FUMA bids farewell to esteemed colleague Nic Brown.
Since joining FUMA in 2009, Nic has left an indelible
mark on FUMA through her contributions over the past 15 years. From curating, writing and publishing to collections management and care, her input has been pivotal to the life of FUMA and our contributions to the nationโs cultural and intellectual life.
One of Nicโs most recent standout achievements was the award-winning exhibition โ and catalogue โ โBee-stung lips: Barbara Hanrahan, works on paper 1960-1991,โ which captivated audiences in Adelaide in 2021 before touring regional South Australia. Additionally, Nic has been a driving force behind The Collections Project, a dynamic collaboration with @guildhouse_au that has empowered South Australian artists to engage with FUMA collections, now in its 7th successful iteration.
In her tenure, Nic has also made significant strides in strengthening collection care, notably through her efforts in securing housing and conservation for the nationally significant Papunya Board collection and digitisation of the Post Object and Documentation archive.
FUMA will miss Nicโs longstanding dedication, insight and creativity, her highly tuned expertise and meticulous eye to detail.
We wish her all the very best as she embarks on a new chapter. โค๏ธ
Sashaying into February like.. ๐
This painting by Jรณzef Stanisลaw Ostoja-Kotkowski is part of the impressive Ostoja-Kotkowski archive generously donated to FUMA by Andrew and Edward Booth in 2005.
๐จ Regarded as Australiaโs first true multimedia artist, Ostoja-Kotkowski`s diverse body of work evolved from drawing and painting to experimental photography, laser kinetics, and captivating moving image and sound performances. ๐ His early expressionistic and surreal style gradually shifted towards pure abstraction through his innovative exploration and utilization of light as a medium.
๐จJรณzef Stanisลaw Ostoja-Kotkowski (1922 โ 1994)
Untitled (dancer), c1950
synthetic polymer on paper
52.5 x 32.3 cm
Gift of the Estate of Edward Stirling Booth
Collection of Flinders University Museum of Art 4241.100
ยฉ the Estate of the artist, courtesy Andrew and Edward Booth
#ostojakotkowski #art #artmuseum #universityartmuseumsaustralia #flindersuniversity #artmuseumcollection #artcollection #southaustralia #adelaideartgallery #arteducation
Sashaying into February like.. ๐
This painting by Jรณzef Stanisลaw Ostoja-Kotkowski is part of the impressive Ostoja-Kotkowski archive generously donated to FUMA by Andrew and Edward Booth in 2005.
๐จ Regarded as Australiaโs first true multimedia artist, Ostoja-Kotkowski`s diverse body of work evolved from drawing and painting to experimental photography, laser kinetics, and captivating moving image and sound performances. ๐ His early expressionistic and surreal style gradually shifted towards pure abstraction through his innovative exploration and utilization of light as a medium.
๐จJรณzef Stanisลaw Ostoja-Kotkowski (1922 โ 1994)
Untitled (dancer), c1950
synthetic polymer on paper
52.5 x 32.3 cm
Gift of the Estate of Edward Stirling Booth
Collection of Flinders University Museum of Art 4241.100
ยฉ the Estate of the artist, courtesy Andrew and Edward Booth
#ostojakotkowski #art #artmuseum #universityartmuseumsaustralia #flindersuniversity #artmuseumcollection #artcollection #southaustralia #adelaideartgallery #arteducation
OPENING SOON
โจ๐ฝ๐๐ฉ๐ฌ๐๐๐ฃ ๐ฉ๐๐ ๐ฟ๐๐ฉ๐๐๐ก๐จ: ๐๐๐๐๐ค ๐ผ๐ง๐ฉ ๐๐ง๐ค๐ข ๐ฉ๐๐ ๐ผ๐พ๐๐ ๐พ๐ค๐ก๐ก๐๐๐ฉ๐๐ค๐ฃ โจ
19 February - 19 April 2024
FUMA is excited and proud to bring this exceptional exhibition to South Australia.
Showcasing five moving image artworks by Australian artists, this exhibition celebrates ACMIโs vibrant collecting and commissioning program.
Working in video offers artists the opportunity to use editing as their primary technique; mixing and matching elements from other films or their own work to tell new stories. By remixing or rearranging footage they build different rhythms and moods, create hilarious juxtapositions or shed new light on cultural cliches and presumed histories. The works in this exhibition all demonstrate an irrepressible desire to bring deep themes to the surface with humour and an incredible attention to detail. ACMIโs collection has a rich, 75-year history from its inception as the state film centre in 1946. Since its incarnation as ACMI in the early 2000s, the collection has expanded to include artworks and experimental film. ACMI now holds a significant archive of complex, time-based media works and videogames, as well as an ever-expanding repository of digitised content and born-digital material.
Artists
๐๐ฎ๐๐น๐ฒ๐ป๐ฒ ๐ช๐ต๐ถ๐๐ธ๐ฒ๐
๐๐ฎ๐๐ผ๐ป ๐ฃ๐ต๐
๐๐ฒ๐ฏ๐ผ๐ฟ๐ฎ๐ต ๐๐ฒ๐น๐น๐
๐ญ๐ฎ๐ป๐ป๐ ๐๐ฒ๐ด๐ด
๐๐ฎ๐๐ถ๐ฑ ๐ฅ๐ผ๐๐ฒ๐๐๐ธ๐
An ACMI touring exhibition.
[ID A graphic tile with white text reading Between the Details: Video Art from the ACMI Collection against a red and orange vertical gradient background.]
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
@acmionline
@flindersuniversity
OPENING SOON
โจ๐ฝ๐๐ฉ๐ฌ๐๐๐ฃ ๐ฉ๐๐ ๐ฟ๐๐ฉ๐๐๐ก๐จ: ๐๐๐๐๐ค ๐ผ๐ง๐ฉ ๐๐ง๐ค๐ข ๐ฉ๐๐ ๐ผ๐พ๐๐ ๐พ๐ค๐ก๐ก๐๐๐ฉ๐๐ค๐ฃ โจ
19 February - 19 April 2024
FUMA is excited and proud to bring this exceptional exhibition to South Australia.
Showcasing five moving image artworks by Australian artists, this exhibition celebrates ACMIโs vibrant collecting and commissioning program.
Working in video offers artists the opportunity to use editing as their primary technique; mixing and matching elements from other films or their own work to tell new stories. By remixing or rearranging footage they build different rhythms and moods, create hilarious juxtapositions or shed new light on cultural cliches and presumed histories. The works in this exhibition all demonstrate an irrepressible desire to bring deep themes to the surface with humour and an incredible attention to detail. ACMIโs collection has a rich, 75-year history from its inception as the state film centre in 1946. Since its incarnation as ACMI in the early 2000s, the collection has expanded to include artworks and experimental film. ACMI now holds a significant archive of complex, time-based media works and videogames, as well as an ever-expanding repository of digitised content and born-digital material.
Artists
๐๐ฎ๐๐น๐ฒ๐ป๐ฒ ๐ช๐ต๐ถ๐๐ธ๐ฒ๐
๐๐ฎ๐๐ผ๐ป ๐ฃ๐ต๐
๐๐ฒ๐ฏ๐ผ๐ฟ๐ฎ๐ต ๐๐ฒ๐น๐น๐
๐ญ๐ฎ๐ป๐ป๐ ๐๐ฒ๐ด๐ด
๐๐ฎ๐๐ถ๐ฑ ๐ฅ๐ผ๐๐ฒ๐๐๐ธ๐
An ACMI touring exhibition.
[ID A graphic tile with white text reading Between the Details: Video Art from the ACMI Collection against a red and orange vertical gradient background.]
#acmi #Betweenthedetails #FlindersUniversity #acmitouringexhibition #artmuseum #exhibition #art #australianart #australianartists #universityartmuseumsaustralia
@acmionline
@flindersuniversity